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Jul 11, 2022
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'Boys Keep Swinging Tony Visconti 2017 Mix from the the A New Career in a New Town (1977–1982) box set released by Parlophone included two versions of Lodger, a remaster of the standard album and a remix by original producer Visconti “Boys Keep Swinging” is Bowie taking on the Village People, with an irony far beyond the double-entendres of “YMCA” or “In the Navy.” There’s never a knowing aside, never a line sung with a wink: Bowie sells his pitch in his “Golden Years” croon, with a joyful bellow on “luck just kissed you HELLO!” while he gives the crude line “life is a pop of the cherry” some grandeur. The whole piece is dedicated to camaraderie, with the backing singers taking over on the refrains as Bowie’s vocal sinks into the bassline, while the lead and supporting voices collide on a line like “you’ll get your share!” Bowie’s tone is beyond detachment or parody: the lyric and performance could be an extraterrestrial’s baffled report on human gender roles. If you are a male of the species you can wear a uniform! You can buy a home of your own! Yet “Boys” isn’t really that far apart from “In the Navy,” with its lustily-chanted chorus, its barely-hidden gay anthemic qualities, its goofy delight in the cartoon masculine. It calls back to Bowie’s early “childhood” songs (“Uncle Arthur,” “When I’m Five”) in that the lyric’s perspective seems like a boy’s cracked idea of what manhood is, with lines suggesting adulthood is like joining a Scout troop: Uncage the colors! Unfurl the flag! From there it’s an easy path to another of the song’s buried themes, which is that traditional “manhood” can resemble a fascist cult, while a dedication to the ultra-masculine echoes an obsession with “feminine” pursuits like fashion (Bowie would go further with this in “Fashion,” where being in vogue is akin to goose-stepping).* THIS TEXT IS TAKEN FROM THE EXCELLANT BOWIE SONGS WEBSITE PUSHING AHEAD OF THE DAME READ MORE HERE https://bowiesongs.wordpress.com/2011/07/27/boys-keep-swinging/ Visconti’s 2017 mix of Lodger is included in David Bowie: A New Career In A New Town (1977–1982), the third in a series of boxsets spanning Bowie’s career. This new set spans Low to Scary Monsters (And Super Creeps) and gives particular focus to Bowie’s so-called ‘Berlin trilogy’, covering Low, Heroes and Lodger. “Lodger wasn’t really part of the Berlin trilogy,” says Visconti. “People gave it that name. It was done in the spirit of the Berlin trilogy and of course it was the last album featuring Brian Eno as a composer and musician, so it kind of belongs in the Berlin trilogy. But it was recorded entirely in Switzerland and mixed in New York!” TXT TAKEN FRON UNCUT MAGAZINE OCTOBER 2017 Read more at http://www.uncut.co.uk/blog/david-always-wanted-move-tony-visconti-bowies-lodger-101971#vDPktrxsGgbs8HVa.99 MTRudeBoy claims no rights to sound or vision Footage used to Pay Respect & Honour Britain\'s Greatest ever solo artist.'See also:
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